This brief involved taking one scene from classic and one from contemporary cinema and interpreting them together in a typographic way. The scenes here are from the films Dirty Harry and No Country For Old Men. Each of the characters are given their own typographic identity and the themes explored are luck, chance and predestination.

A handbook design for a collection of seashells with a particular focus on building a hierarchy of information. It contains interesting facts and information about the ten shells described. The pages were printed with a humble inkjet printer on textured paper which gave them a lovely organic feel, rough and natural, just like the shoreline where the shells had first been gathered. They were bound in a hands-on fashion with a traditional Japanese side-sewing technique using a vice, a needle and awl and some simple string. The dust cover is made of balsa wood and the logo is a carefully applied decal. I had a lot of fun with this project and learned a lot of new skills. It took a good deal of patience and careful attention to detail to complete but I was happy with the result!

An illustration representing Amergin, a celtic druid and leader of the Milesians who were said to have invaded Ireland around 1530 BCE and usurped the Tuatha De Danaan. This is the song he sang to lay claim to the island and all of its elements.

An identity for a computer game to promote energy saving, encouraging the player to make use of switches.

An identity for an icecream brand based on a Victorian style cameo silhouette.

An identity for an organic Chinese food brand. The bright colours aim to bring a sense of fun, health and all-round positivity to the product. Each colour of the identity is assigned to a different boxed meal.

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